Continued from Part 1 - Overview
Introduction to Barcelona
The old city (including the Gothic Quarter and El Raval) is the roughly pentagonal area northwest of the port. It's a very dense old area of narrow streets and alleys originally defined and enclosed by medieval walls.
Northwest of that is Eixample (it's the area that looks like a waffle iron when viewed from above). It was conceived by Ildefons Cerdà in the mid 1800's, arguably the first instance of modern urban planning - "urbanización". It's one of the things that most attracted me to visit Barcelona. It remains my favorite area of Barcelona - and where obviously we would stay.
To grasp the history of Barcelona's urban form (beginning with the Romans) see this article.
Like all modern cities there has been a love-hate relationship with cars. Like cities around the world, Barcelona is trying ways to alter the old auto-orientation of the 20th century to improve our cities, our safety, our human relationships, and the world. Vox ran an excellent 5 article series here. It works better when residences are within a 15 minute or 20 minute walk of most of the shops and services they need daily, like in Spain.
Hint: Throughout the blog, click on photos to enlarge them, and don't miss the links to additional info.
Above: Photo of a 1901 Map of Barcelona shot at an exhibit at Recinta Modernista de Sant Pau
Above: Aerial view of Barcelona today (from Google Earth with annotations added)
Legend for maps above & below
#1: Where we stayed (Casa Mathilda)
#2: Gaudi's famed La Sagrada Familia
#3: Recinta Modernista de Sant Pau (the early 1900's hospital by Domènech i Montaner)
#4: Parc del Centre del Poblenou (Where we saw a local castell - what's a castell? see here)
#5: Gaudi's Casa Mila (La Pedrera - The Quarry)
#6: Entrance to Diagonal Metro Station (serving 3 major metro lines)
Below: Detail of Eixample near where we stayed (from Google Earth with annotations added)
Where we stayed
Below is a typical street scene in Eixample, one block from where we stayed. Typical of much of Eixample: the octagonal intersections (often used for parking), treed streets, dense 6 or 7 story buildings, bike lanes often provided, and the ubiquitous motorbikes.
On the photo's right is a neighborhood restaurant/bar that we frequented. We tend to eat a bit earlier than many Spaniards, so I'm not sure how typical this was, but we found this throughout Spain: many times when we entered the tables were bare like in a coffee shop or bar, but as soon as it was apparent that we were ordering dinner, table cloths and dinner settings were whisked onto our table.
We're not in the habit of drinking coffee and sitting to have a conversation after dinner. A number of times we seemed to get a subtle reaction from the waiter when he asked it we'd like coffee and we'd decline, almost a feeling somewhere between not understanding why and disappointment.
(Perhaps partly because of that?) we found in several neighborhood restaurants in Barcelona (but not elsewhere in Spain) an after-dinner complimentary aperitif was sometimes provided. Each time the waiter would proudly present it, show us the bottle, and describe it (usually in Catalan or Spanish) while pouring us a drink. Without exception the aperitifs were some of the best we have ever had - I wish I could understand Catalan or Spanish to have learned more about the aperitifs.
A half block from where we stayed, in the opposite direction from the above, was the Avinguda Diagonal, one of the wide boulevards that dissect and connect the city, with roadways for through traffic separated from secondary roadways for local deliveries by treed park-like medians with wide sidewalks including space for biking or rolling.
Incidentally, the building in the background is lesser-known but a masterpiece by Josep Puig i Cadafalch: Casa de les Punxes, (You'll notice that throughout this blog I often focus on things that most of the guidebooks do not address.)
Two blocks from where we stayed was the intersection of two of Barcelona's major boulevards: Avinguda Diagonal and Passeig de Gràcia, and also the location of the Diagonal Metro Station, which we frequently used. See the amazing amount of different kinds of traffic here (pedestrians, bikes, scooters, motor bikes, & buses) on my youtube video here.
The Passieg de Gràcia was one of the main ways to walk from our accommodations to the heart of Barcelona at Plaça de Catalunya (~1.6 km, 20 minute walk), or to the harbor via La Rambla (~3 km, 35 minutes)
We had a very delightful stay at Casa Mathilda. It was one floor above street level a multi-floor building. The owner and staff were delightful - they treated their guests like friends.
Usually we don't use cabs much, and on this trip we walked or used transit everywhere. But we did splurge on cabs between the airports or train stations and our accommodations; we had enough, when a bit younger, of schlepping luggage around by foot or on transit. The owner arranged cabs for us, and they were obviously familiar. When we arrive he knew the entrance door's passcode, squeezed us and our luggage into a small gated open elevator like in a classical French movie, and bounded up the stairs beside it, getting to our floor before we did. He, the owner, and we had an chat like old friends. When we left to catch our early flight a different cab driver was waiting in the breakfast room drinking coffee
Our room was delightful, opening onto a terrace in the back, overlooking the typical Eixample area at the center of the block, enclosed by the surrounding buildings.
Biking in Barcelona
The first morning, bleary-eyed from our flight, we rushed to the Metro and bought a T-10 ticket for 10 rides, and hurried to our scheduled 3-hour bike tour with Andre at Bamboo Bike Tours.
I enjoy getting introduced to a city on a bike - one sees and senses so much. (Plus, Ginny and I try to bike a far amount at home, and I work with some groups promoting "active transportation" in Seattle.) And the people who lead and go on bike tours are invariably interesting.
I had researched various bike tours on the web, and quickly honed in on Bamboo Bike Tours. I especially liked that their tours were not large. Although it was not strictly a private tour, it was only Andre, Ginny, and me
We had corresponded before and arranged to vary their typical tour: we weren't interested in seeing the normal sights (we'd see most of them in the succeeding days), but I was very interested in seeing Barcelona's bike facilities, especially their Superblocks, which turn car-oriented streets into people-oriented places where cars still allowed, but restricted.
While we're getting introduced to Barcelona, I should introduce you to Ginny and me, and to our great guide Andre.
La Rambla
After our bike tour we had lunch then explored La Rambla and Passeig de Gràcia while we walked back to our place. I guess it's because it's so famous that crowds of people congregate on Barcelona's La Rambla. We personally preferred the Rambla del Poblenou, which we discovered several days later - it's more subdued and neighborly - I'll have photos of it later in the blog.
Part way up La Rambla we detoured to the Plaza Real to see Gaudi's first commission - by the city for the design AND installation of streetlights - see the story here.
The afternoon was getting along, so we began hurrying to Casa Batlló to get there in time for our scheduled entrance. Casa Vicens, Gaudí's very colorful first building, isn't far off La Rambla; I regret that we didn't have time to see it. In a city as interesting as Barcelona, unfortunately, one has to make choices.
The Bone of Contention
We walked up La Rambla and over to Passeig de Gràcia thence along it to the Block of Discord where 3 former mansions were designed by 3 of Barcelona's leading Modernista architects. All 3 seem to be trying to outdo each other with somewhat discordant styles.
Look at the crowd!!!
When we were there the crowd below (on the Block of Discord) was typical of major sites, especially in Barcelona but also throughout much of Spain. Ginny and I usually like the ability to be spontaneous and not to schedule ourselves tightly on trips. But we had been forewarned by most of the guidebooks to obtain timed entrance tickets months ahead.for many things. We were thankful that we did. We never scheduled more than 2 things a day, and left as much between them as we could. That allowed for enough flexibility, while avoiding standing in interminable lines or worse, learning that no more ticket slots were available. Maybe in the new normal after things open back up, at least at first, the lines wan't be a long (that cuts both ways: slightly more enjoyable experience but less $ coming in to the tourist industry and Barcelona - it will really be needed).
Casa Lleó i Morera by Domènech i Montaner is the first we came to. Unfortunately, it is not open to the public, however it has an excellent website. On the website is a video I particularly like that shows both the history of Barcelona and the house itself, with lots of attention to the house's exquisite details. Often the craftsmen who are the creators of the details, and upon whose collaboration the Modernista architects depend, are overlooked. This website gives the craftsman their due credit here.
Casa Amatller by Puig i Cadafalch is next on the block, immediately adjacent to Casa Batlló.
It's open on guided tours only. There is so much to see in Barcelona and so little time that it's one of many things we had to forego until our next visit. But it, too, has an excellent website that shows its history and its details well.
Casa Batlló by Antoni Gaudí is next up the street. It was built for the textile manufacturer, Josep Batlló, who "bought a modest building with the intention of turning it into something spectacular. Not only was this building located at the heart of Passeig de Gràcia, but it was also on the same block as Casa Amatller and Casa Lleó i Morera.
"Many say that Gaudí was delighted to accept the commission for the pleasure of sharing space with the best architects at the time: Domènech i Montaner (creator of Casa Lleò i Morera) and Puig i Cadafalch (creator of Casa Amatller).
"The result? Three unique modernist buildings created by the most important architects of Modernism and competing to be the 'most beautiful' construction. That is why, in reference to Greek mythology, they are popularly known as 'the bone of contention'". - from an excellent summary of the architecture variously known as Art Noveau or Jugendstil or Modernism or Modernisme: "Barcelona and Modernism" on the Casa Batlló website.
Gaudi's collaboration with craftsmen is apparent throughout, including wood, glass, tile, metal, and other media. It was the era prior to air conditioning; he and his team included in all of the windows ingenious methods of openings for ventilation that were both beautiful and functional..
The building is centered by a central skylight-topped light well that serves dual purposes: it allows light to penetrate the building the building while importantly serving as a ventilation shaft.
The tile work respects the need for light: it's darker at the top where the slight is intense and becomes lighter towards the lower floors where the lightness in needed.
The back isn't as elaborate as the front, but is worth seeing, as is a glimpse of a water feature in its garden:
The roof, especially its chimneys, is very fanciful, (but not as elaborate as at Casa Milà (Le Pedrera) which will be in a latter part of this blog).
.
We'd had a long tiring day, so we trundled home for dinner and sleep (is that where the green turtle-like things above were also headed?).
And another introduction to Spain
On a following night, one of the staff at our accommodations encouraged us to have dinner at one of her favorite small restaurants beside Plaça del Sol, in Gràcia about 1 km north of our lodging. So we walked to it along Gràcia's narrow streets (a cross between those in the old part of the city and Eixample).
That introduced us to one of our favorite things about Spain: the neighborhood plazas where residents gather to eat and socialize. The adjacent buildings were filled with restaurants and tapa bars, each of which had some umbrella tables at the edge of the plaza. They were filled. Many 20 somethings and young families sat cross legged on the pavement picnic-style. There was a small playground in one corner and kids mingles with each other playing there, or running through the plaza. We were instantly in love with it. The current lockdowns must be hard for the Spanish to adjust to. We, like everyone, look forward to the return to better times.
To return to Part 1 - Overview of the trip, click here.
Continued in Barcelona - Part 2b - Exploring - click here
Incidentally, the building in the background is lesser-known but a masterpiece by Josep Puig i Cadafalch: Casa de les Punxes, (You'll notice that throughout this blog I often focus on things that most of the guidebooks do not address.)
Two blocks from where we stayed was the intersection of two of Barcelona's major boulevards: Avinguda Diagonal and Passeig de Gràcia, and also the location of the Diagonal Metro Station, which we frequently used. See the amazing amount of different kinds of traffic here (pedestrians, bikes, scooters, motor bikes, & buses) on my youtube video here.
The Passieg de Gràcia was one of the main ways to walk from our accommodations to the heart of Barcelona at Plaça de Catalunya (~1.6 km, 20 minute walk), or to the harbor via La Rambla (~3 km, 35 minutes)
We had a very delightful stay at Casa Mathilda. It was one floor above street level a multi-floor building. The owner and staff were delightful - they treated their guests like friends.
Usually we don't use cabs much, and on this trip we walked or used transit everywhere. But we did splurge on cabs between the airports or train stations and our accommodations; we had enough, when a bit younger, of schlepping luggage around by foot or on transit. The owner arranged cabs for us, and they were obviously familiar. When we arrive he knew the entrance door's passcode, squeezed us and our luggage into a small gated open elevator like in a classical French movie, and bounded up the stairs beside it, getting to our floor before we did. He, the owner, and we had an chat like old friends. When we left to catch our early flight a different cab driver was waiting in the breakfast room drinking coffee
Our room was delightful, opening onto a terrace in the back, overlooking the typical Eixample area at the center of the block, enclosed by the surrounding buildings.
Biking in Barcelona
The first morning, bleary-eyed from our flight, we rushed to the Metro and bought a T-10 ticket for 10 rides, and hurried to our scheduled 3-hour bike tour with Andre at Bamboo Bike Tours.
I enjoy getting introduced to a city on a bike - one sees and senses so much. (Plus, Ginny and I try to bike a far amount at home, and I work with some groups promoting "active transportation" in Seattle.) And the people who lead and go on bike tours are invariably interesting.
I had researched various bike tours on the web, and quickly honed in on Bamboo Bike Tours. I especially liked that their tours were not large. Although it was not strictly a private tour, it was only Andre, Ginny, and me
We had corresponded before and arranged to vary their typical tour: we weren't interested in seeing the normal sights (we'd see most of them in the succeeding days), but I was very interested in seeing Barcelona's bike facilities, especially their Superblocks, which turn car-oriented streets into people-oriented places where cars still allowed, but restricted.
While we're getting introduced to Barcelona, I should introduce you to Ginny and me, and to our great guide Andre.
La Rambla
After our bike tour we had lunch then explored La Rambla and Passeig de Gràcia while we walked back to our place. I guess it's because it's so famous that crowds of people congregate on Barcelona's La Rambla. We personally preferred the Rambla del Poblenou, which we discovered several days later - it's more subdued and neighborly - I'll have photos of it later in the blog.
Part way up La Rambla we detoured to the Plaza Real to see Gaudi's first commission - by the city for the design AND installation of streetlights - see the story here.
The afternoon was getting along, so we began hurrying to Casa Batlló to get there in time for our scheduled entrance. Casa Vicens, Gaudí's very colorful first building, isn't far off La Rambla; I regret that we didn't have time to see it. In a city as interesting as Barcelona, unfortunately, one has to make choices.
The Bone of Contention
We walked up La Rambla and over to Passeig de Gràcia thence along it to the Block of Discord where 3 former mansions were designed by 3 of Barcelona's leading Modernista architects. All 3 seem to be trying to outdo each other with somewhat discordant styles.
Look at the crowd!!!
When we were there the crowd below (on the Block of Discord) was typical of major sites, especially in Barcelona but also throughout much of Spain. Ginny and I usually like the ability to be spontaneous and not to schedule ourselves tightly on trips. But we had been forewarned by most of the guidebooks to obtain timed entrance tickets months ahead.for many things. We were thankful that we did. We never scheduled more than 2 things a day, and left as much between them as we could. That allowed for enough flexibility, while avoiding standing in interminable lines or worse, learning that no more ticket slots were available. Maybe in the new normal after things open back up, at least at first, the lines wan't be a long (that cuts both ways: slightly more enjoyable experience but less $ coming in to the tourist industry and Barcelona - it will really be needed).
Casa Lleó i Morera by Domènech i Montaner is the first we came to. Unfortunately, it is not open to the public, however it has an excellent website. On the website is a video I particularly like that shows both the history of Barcelona and the house itself, with lots of attention to the house's exquisite details. Often the craftsmen who are the creators of the details, and upon whose collaboration the Modernista architects depend, are overlooked. This website gives the craftsman their due credit here.
Casa Amatller by Puig i Cadafalch is next on the block, immediately adjacent to Casa Batlló.
It's open on guided tours only. There is so much to see in Barcelona and so little time that it's one of many things we had to forego until our next visit. But it, too, has an excellent website that shows its history and its details well.
Casa Batlló by Antoni Gaudí is next up the street. It was built for the textile manufacturer, Josep Batlló, who "bought a modest building with the intention of turning it into something spectacular. Not only was this building located at the heart of Passeig de Gràcia, but it was also on the same block as Casa Amatller and Casa Lleó i Morera.
"Many say that Gaudí was delighted to accept the commission for the pleasure of sharing space with the best architects at the time: Domènech i Montaner (creator of Casa Lleò i Morera) and Puig i Cadafalch (creator of Casa Amatller).
"The result? Three unique modernist buildings created by the most important architects of Modernism and competing to be the 'most beautiful' construction. That is why, in reference to Greek mythology, they are popularly known as 'the bone of contention'". - from an excellent summary of the architecture variously known as Art Noveau or Jugendstil or Modernism or Modernisme: "Barcelona and Modernism" on the Casa Batlló website.
A photo of Gaudí from the Casa Vicens website.
Gaudi's collaboration with craftsmen is apparent throughout, including wood, glass, tile, metal, and other media. It was the era prior to air conditioning; he and his team included in all of the windows ingenious methods of openings for ventilation that were both beautiful and functional..
The building is centered by a central skylight-topped light well that serves dual purposes: it allows light to penetrate the building the building while importantly serving as a ventilation shaft.
The tile work respects the need for light: it's darker at the top where the slight is intense and becomes lighter towards the lower floors where the lightness in needed.
The importance of the light well is apparent from a Google Earth aerial view. The basic form of the building is a long rectangular shoe box tightly hemmed in by its neighboring buildings, New York brownstone style. Without the light well the center would be dark and poorly ventilated.
image from Google Earth
At Casa Milà there is an exhibit explaining Gaudi's work (I'll get to that in a successive part of the blog). It has a floor plan of Casa Batlló (above), a drawing section through Casa Batlló , and a model of a section through the light well of Casa Batlló (second below).
The back isn't as elaborate as the front, but is worth seeing, as is a glimpse of a water feature in its garden:
The roof, especially its chimneys, is very fanciful, (but not as elaborate as at Casa Milà (Le Pedrera) which will be in a latter part of this blog).
.
We'd had a long tiring day, so we trundled home for dinner and sleep (is that where the green turtle-like things above were also headed?).
And another introduction to Spain
On a following night, one of the staff at our accommodations encouraged us to have dinner at one of her favorite small restaurants beside Plaça del Sol, in Gràcia about 1 km north of our lodging. So we walked to it along Gràcia's narrow streets (a cross between those in the old part of the city and Eixample).
That introduced us to one of our favorite things about Spain: the neighborhood plazas where residents gather to eat and socialize. The adjacent buildings were filled with restaurants and tapa bars, each of which had some umbrella tables at the edge of the plaza. They were filled. Many 20 somethings and young families sat cross legged on the pavement picnic-style. There was a small playground in one corner and kids mingles with each other playing there, or running through the plaza. We were instantly in love with it. The current lockdowns must be hard for the Spanish to adjust to. We, like everyone, look forward to the return to better times.
To return to Part 1 - Overview of the trip, click here.
Continued in Barcelona - Part 2b - Exploring - click here
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